Prepared for: Pelican Point Outfitters (fictional example) · identity system · v1.0, September 2026 · 28 pages
What a real guidelines document covers
Pages 4–7 and 25–28 are reproduced below. The point of the document is not that it is pretty — it is that a sign shop, a printer and a new hire can all open it in two years and get the same answer without calling us.
Pages 4–6 · every lockup exists for a reason, and the reason is written down
Page 7 · the rule that survives contact with other people’s layouts
Clear space on all four sides equals the height of the P. Minimum reproduction width is 28mm in print and 120px on screen; below that, the one-color mark replaces the lockup. Rules like this are the difference between a brand that still looks like itself in two years and one that has quietly become five slightly different logos.
Pages 8–11 · specified for every space it will be reproduced in
Handing over hex values alone is where brand drift starts: the website ends up one color, the shirt another and the sign a third, and nobody can say which one is right. Signal Orange is restricted to calls to action and safety-critical items — it is the only color on a rental board that has to be seen from the water, so it does not get spent on decoration.
Pages 12–15 · a scale, not a font list
| Role | Specification | Sample |
|---|---|---|
| Display | Anton · 44/46 · uppercase | RENT A BOARD |
| Heading | Anton · 24/28 | Guided tours |
| Body | Source Sans 3 · 16/26 | Everything you need for the water. |
| Caption | Source Sans 3 · 12/18 · +0.05em | Est. 2004 · Murrells Inlet |
Roles and sizes, so a new hire making a flyer gets it right without asking. Both faces here carry open licenses, which is a deliberate choice: it means the shop can embed them in a website, an app or a print job without a separate bill or a license audit. Where a project genuinely needs a commercial typeface, we say what it costs before we design with it — see the handover section.
Pages 20–24 · the surfaces the identity actually has to survive
Pages 25–26 · the part that keeps it consistent after we leave
Pages 27–28 · the section almost nobody publishes
| What | You receive | What it means in practice | Status |
|---|---|---|---|
| Copyright in the marks | Assigned to you in writing | Paying for design does not by itself transfer copyright. A “work made for hire” clause is generally not enough on its own for a logo — under U.S. Copyright Office guidance, a commissioned work only qualifies if it falls inside one of nine listed categories, and a logo is not one of them. Ours is paired with a present-tense assignment, which is the construction that works | Yours |
| Editable source files | Layered master artwork | The working files, not just exports — so any designer after us can pick it up. Handed over at the end of the engagement whether or not you stay with us | Yours |
| Production formats | Vector for print and screen, flat web-ready files, embroidery file | Everything a printer, sign shop or embroiderer will ask for, so you are never paying someone to recreate the mark | Yours |
| Guidelines document | This PDF, plus the editable original | Yours to update. If you take the brand in-house, your team can maintain the document rather than being locked out of it | Yours |
| Typefaces | Open-license faces used here | Fonts are licensed, never owned, and the obligation travels with the logo to you. A desktop license does not automatically cover embedding in a website, an app or broadcast. We list every face, its license and its limits — and default to open licenses so this never becomes a bill | Licensed |
| Stock icons and photography | Licensed, with terms listed | Stock inside a brand kit is licensed too, often non-transferably and usually capped by units or impressions. You inherit the cap along with the asset. We list what is licensed, under what terms, and what an extension costs before you exceed it | Check terms |
| Trademark registration | Not included | Owning the artwork is not owning a registered mark. Clearance searching and registration are separate legal work and we are not attorneys. Most identity packages exclude this silently; we would rather say it out loud and work alongside your attorney on clearance before we design around a name | Not included |
The last two rows are the ones to read twice, and they are the reason this section exists. In our August 2026 review of ten top-ranking content and branding provider pages, exactly one stated who owns the work — and it was a $599 design marketplace, not an agency. Nine of ten never say whether you get the editable source files at all. Font licensing, stock licensing and the trademark distinction were effectively unaddressed across the entire set.
Every identity engagement ends with a document like this and the handover in writing. Identity and brand systems are quoted per project after discovery, with the concept and revision counts in the quote before you sign; production and campaign creative run at $95/hour, estimated and approved first. Ongoing creative is month-to-month with 30 days’ notice after any initial term.
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